Arlie Russell Hoschild argues that a “Deep Story” sustains a “line cutting” metaphor that animates the thinking about politics and race among the working-class derived white Louisianans she interviewed. Explain fully the “story” and the metaphor, with its allusions to the 1960s and the 1860s. What explanation does she offer for why they “gaze forward”, aping the social position of the “one-percenters”, rather than identifying with the non-white, women, LGTQ+, non-christian, and immigrant others? Consider the “enclosures” produced by the “walls” of the “plantation society” on their “imaginations” and social mobility, or fixed place in the line. Be sure to describe the nineteenth and twentieth century versions of this “society” andits impacts on the thinking and life circumstances of these white Louisianans. How might Barbara Jeans Fields’ explanation of the way that ideology works help us to explain how all of this induces them to “gaze forward”? Think through her arguments about how a “terrain” controlled by others results in an “intersect<ion>” of “interests”, or “cooperation”, with the “ruling class”.